{"id":1789,"date":"2021-01-03T16:47:27","date_gmt":"2021-01-03T15:47:27","guid":{"rendered":"https:\/\/marcelgrauls.be\/?p=1789"},"modified":"2021-01-03T16:47:27","modified_gmt":"2021-01-03T15:47:27","slug":"bambochade","status":"publish","type":"post","link":"https:\/\/marcelgrauls.be\/en\/bambochade\/","title":{"rendered":"bamboo shade"},"content":{"rendered":"<blockquote><p>painting of a folk scene<\/p><\/blockquote>\n<p>After Bamboccio, &#039;clumsy dork, crippled man, rag doll&#039;, the nickname of Pieter van Laer (Haarlem 1592-1642).<br \/>\n In the seventeenth century, the contemptuous expression bambochade denoted paintings that, in contrast to the canvases of the Baroque, exclusively depicted grotesque, popular scenes from everyday life: dice players, street vendors, troublemakers and drunkards.<\/p>\n<p> Van Laer, pioneer in this genre, lived in Rome for more than ten years. He had a hunchback and his entire upper body was deformed. That earned him the nickname bamboccio, Bamboots.<\/p>\n<p>It became the nickname for a whole group of mainly Dutch painters who no longer believed that painting was only suitable for depicting a sublime and idealized world. Around 1624 they founded a &#039;painters&#039; ben&#039; in Rome between the Via Marguta and the Via del Babuino.<\/p>\n<p> Each painter who entered was given a nickname during a baptismal ceremony, which was performed under the eye of Bacchus with locks of wine. In addition to Bamboots Van Laer, Jan Asselijn, for example, who had a deformed hand, was given the stage name Crabbetje.<\/p>","protected":false},"excerpt":{"rendered":"<p>painting of a folk scene <\/p>\n<p class=\"read-more-container\"><a class=\"button\" href=\"https:\/\/marcelgrauls.be\/en\/bambochade\/\">read more<\/a><\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-1789","post","type-post","status-publish","format-standard","hentry","category-eponiemen","infinite-scroll-item"],"_links":{"self":[{"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/posts\/1789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/comments?post=1789"}],"version-history":[{"count":2,"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/posts\/1789\/revisions"}],"predecessor-version":[{"id":1791,"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/posts\/1789\/revisions\/1791"}],"wp:attachment":[{"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/media?parent=1789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/categories?post=1789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcelgrauls.be\/en\/wp-json\/wp\/v2\/tags?post=1789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}